Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Bihzad
Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean

ID: 34203

Bihzad Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean
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Bihzad Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean


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Bihzad

the period of 1465-153 Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.  Related Paintings of Bihzad :. | A shaykh in the prayer niche of a mosque | King Darius and the Herdsman | The Crescent moon turned downwards | Sultan Sanjar and the wildow | Alexander and the hermit |
Related Artists:
V.L.E. Sparre

Jan Dirksz Both
Dutch 1610-1652 Jan Dirksz Both (between 1610 and 1618, Utrecht - Aug 9 1652, Utrecht), brother of Andries Both, was a Dutch painter. From 1634 to 1637 he was taught by Bloemaert and the painter Gerard van Honthorst before travelling to Rome ca. 1637. There he met the French painter Claude Lorrain, with whom he collaborated on a series of landscape paintings. His landscapes are typically peopled by peasants driving cattle or travellers gazing on Roman ruins in the light of the evening sun The everyday life of the streets of Rome became a favourite theme in his works. On his return to Utrecht after the death of his brother in 1642, he stopped producing genre pieces and focused instead on pictures of Italian landscapes bathed in a warm, golden light. This theme was adopted by several other Dutch painters, the Italianites.
VOS, Cornelis de
Flemish painter (b. 1584/85, Hulst, d. 1651, Antwerpen) Flemish portrait and figure painter. He was a contemporary of Rubens, who sent many sitters to him. Although of the school of Rubens, Vos developed an individual style of portraiture in which cool grays predominate. His representations of children were particularly successful. An example of his many portraits is that of Abraham Grapheus (Antwerp). His brother, Paulus de Vos, c.1596 C1678, was an excellent painter of animals and hunting scenes. His paintings show the influence of his brother-in-law, Frans Snyders.






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